“I am of your opinion on that last point,” said Ivan Fedorovitch, with ill-concealed irritation.

“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.

“An idiot!”--the prince distinctly heard the word half whispered from behind him. This was Ferdishenko’s voluntary information for Nastasia’s benefit.

She paused a moment as though getting breath, or trying to master her feeling of annoyance.

“Yes, and he made me a cardboard helmet, and a little wooden sword--I remember!” said Adelaida.

Muishkin, who was but a couple of steps away, had time to spring forward and seize the officer’s arms from behind.

“Well, really, you know”--(silence)--“of course, you know all this is very strange, if true, which I cannot deny; but”--(silence).--“But, on the other hand, if one looks things in the face, you know--upon my honour, the prince is a rare good fellow--and--and--and--well, his name, you know--your family name--all this looks well, and perpetuates the name and title and all that--which at this moment is not standing so high as it might--from one point of view--don’t you know? The world, the world is the world, of course--and people will talk--and--and--the prince has property, you know--if it is not very large--and then he--he--” (Continued silence, and collapse of the general.)

“Pfu! what a wretched room this is--dark, and the window looking into the yard. Your coming to our house is, in no respect, opportune. However, it’s not _my_ affair. I don’t keep the lodgings.”

Meanwhile the daylight grew full and strong; and at last the prince lay down, as though overcome by despair, and laid his face against the white, motionless face of Rogojin. His tears flowed on to Rogojin’s cheek, though he was perhaps not aware of them himself.

“Oh, Antip!” cried he in a miserable voice, “I did say to you the other day--the day before yesterday--that perhaps you were not really Pavlicheff’s son!”

At that moment Colia appeared on the terrace; he announced that Lizabetha Prokofievna and her three daughters were close behind him.

“There are people who find satisfaction in their own touchy feelings, especially when they have just taken the deepest offence; at such moments they feel that they would rather be offended than not. These easily-ignited natures, if they are wise, are always full of remorse afterwards, when they reflect that they have been ten times as angry as they need have been.

Here Colia handed him a chair, and he subsided into it, breathless with rage.

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

“No, Varia, I shall sit it out to the end.”

“Bravo!” said Ferdishenko. Ptitsin laughed too, though he had been very sorry to see the general appear. Even Colia laughed and said, “Bravo!”

“What’s all this? Is he really heir to anything?”

Rogojin smiled, but did not explain.

“Pleasant dreams then--ha, ha!”

“I don’t wish to joke with you, Lef Nicolaievitch. I shall see Hippolyte myself. Tell him so. As for you, I think you are behaving very badly, because it is not right to judge a man’s soul as you are judging Hippolyte’s. You have no gentleness, but only justice--so you are unjust.”

They stopped before a somewhat low doorway on the fourth floor. Ardalion Alexandrovitch, evidently much out of countenance, pushed Muishkin in front.

“Oh yes, I know a good deal.”

“I shall certainly go mad, if I stay here!” cried Lizabetha Prokofievna.

“That’ll do, Gania!” cried Varia and Ptitsin.

Gavrila Ardalionovitch listened attentively, and gazed at the prince with great curiosity. At last he motioned the man aside and stepped hurriedly towards the prince.

“‘Child,’ he said, abruptly. ‘If I were to recognize the Russian orthodox religion and emancipate the serfs, do you think Russia would come over to me?’”

Hippolyte raised his head with an effort, saying:

“Yes, or even if they had! But who did sleep with you?”

“H’m; I thought differently. You see, we were talking over this period of history. I was criticizing a current report of something which then happened, and having been myself an eye-witness of the occurrence--you are smiling, prince--you are looking at my face as if--”