“However, it’s all the same to me; laugh or not, just as you please. When I asked him about you, he told me that he had long since ceased to love you, that the very recollection of you was a torture to him, but that he was sorry for you; and that when he thought of you his heart was pierced. I ought to tell you that I never in my life met a man anything like him for noble simplicity of mind and for boundless trustfulness. I guessed that anyone who liked could deceive him, and that he would immediately forgive anyone who did deceive him; and it was for this that I grew to love him--”
“What’s the matter?” asked Aglaya, in a whisper, giving his sleeve a little tug.
| She could not hold out long enough even to witness his movement in her direction. She had hidden her face in her hands, cried once “Oh, my God!” and rushed out of the room. Rogojin followed her to undo the bolts of the door and let her out into the street. |
| In the first place, this new woman understood a good deal more than was usual for young people of her age; so much indeed, that Totski could not help wondering where she had picked up her knowledge. Surely not from her “young lady’s library”? It even embraced legal matters, and the “world” in general, to a considerable extent. |
He awaited the reply in deadly anxiety.
“Hallo, Gania, you blackguard! You didn’t expect Rogojin, eh?” said the latter, entering the drawing-room, and stopping before Gania.
“After--it was about twelve o’clock.”
“When everyone crowded into the room she hid her face in her dishevelled hair and lay cowering on the floor. Everyone looked at her as though she were a piece of dirt off the road. The old men scolded and condemned, and the young ones laughed at her. The women condemned her too, and looked at her contemptuously, just as though she were some loathsome insect.
Parfen Rogojin opened the door himself.
“What? What _do_ you mean? What roi de Rome?”
“Do you know what time it is?”
“It is revolting and unseemly!” cried Hippolyte, jumping up in a fury.
But the prince only looked at the bright side; he did not turn the coat and see the shabby lining.
| Meanwhile the daylight grew full and strong; and at last the prince lay down, as though overcome by despair, and laid his face against the white, motionless face of Rogojin. His tears flowed on to Rogojin’s cheek, though he was perhaps not aware of them himself. |
| “No doubt... and I... is that acting like a prince? And you... you may be a general! But I... I am not your valet! And I... I...” stammered Antip Burdovsky. |
“Show it me!”
“Yes, that is so... for the last fifteen years.”
“‘Child,’ he addressed me suddenly, ‘what do you think of our plan?’ Of course he only applied to me as a sort of toss-up, you know. I turned to Davoust and addressed my reply to him. I said, as though inspired:
“Oh, I have no special business; my principal object was to make your acquaintance. I should not like to disturb you. I do not know your times and arrangements here, you see, but I have only just arrived. I came straight from the station. I am come direct from Switzerland.”
| “I have been waiting all day for you, because I want to ask you a question; and, for once in your life, please tell me the truth at once. Had you anything to do with that affair of the carriage yesterday?” |
| The prince observed that Aglaya came out of her corner and approached the table at this point. |
| “Be quiet, you can talk afterwards! What was the letter about? Why are you blushing?” |
“Oh no; not at all.”
| “Oh! that’s enough in all conscience! Pray for whom you choose, and the devil take them and you! We have a scholar here; you did not know that, prince?” he continued, with a sneer. “He reads all sorts of books and memoirs now.” |
He was informed that Nastasia used to play with Rogojin every evening, either at “preference” or “little fool,” or “whist”; that this had been their practice since her last return from Pavlofsk; that she had taken to this amusement because she did not like to see Rogojin sitting silent and dull for whole evenings at a time; that the day after Nastasia had made a remark to this effect, Rogojin had whipped a pack of cards out of his pocket. Nastasia had laughed, but soon they began playing. The prince asked where were the cards, but was told that Rogojin used to bring a new pack every day, and always carried it away in his pocket.
“A refined man, but--lost,” murmured the general.
| He felt in a very curious condition today, a condition similar to that which had preceded his fits in bygone years. |
“I was afraid,” he muttered, scarcely audibly, “but I hardly thought it would come to this.” Then after a short silence, he added: “However, in her state, it is quite consistent with the natural order of things.”
Why, here he was on the Petersburg Side already, quite close to the house! Where was his “idea”? He was marching along without it now. Yes, his malady was coming back, it was clear enough; all this gloom and heaviness, all these “ideas,” were nothing more nor less than a fit coming on; perhaps he would have a fit this very day.
We may remark here that not only the Epanchins themselves, but all who had anything to do with them, thought it right to break with the prince in consequence of his conduct. Prince S. even went so far as to turn away and cut him dead in the street. But Evgenie Pavlovitch was not afraid to compromise himself by paying the prince a visit, and did so, in spite of the fact that he had recommenced to visit at the Epanchins’, where he was received with redoubled hospitality and kindness after the temporary estrangement.
“Oh! then you did come ‘to fight,’ I may conclude? Dear me!--and I thought you were cleverer--”
| “Yes, of course, she did say something!” |
“It’s a wonderful face,” said the prince, “and I feel sure that her destiny is not by any means an ordinary, uneventful one. Her face is smiling enough, but she must have suffered terribly--hasn’t she? Her eyes show it--those two bones there, the little points under her eyes, just where the cheek begins. It’s a proud face too, terribly proud! And I--I can’t say whether she is good and kind, or not. Oh, if she be but good! That would make all well!”
| “I don’t know--perhaps you are right in much that you have said, Evgenie Pavlovitch. You are very wise, Evgenie Pavlovitch--oh! how my head is beginning to ache again! Come to her, quick--for God’s sake, come!” |
PART IV
“What a power!” cried Adelaida suddenly, as she earnestly examined the portrait over her sister’s shoulder.
“I believe you. You may kiss me; I breathe freely at last. But you must know, my dear friend, Aglaya does not love you, and she shall never be your wife while I am out of my grave. So be warned in time. Do you hear me?”
“We have been silent on this subject for three weeks,” said his mother, “and it was better so; and now I will only ask you one question. How can she give her consent and make you a present of her portrait when you do not love her? How can such a--such a--”
When the prince reached home, about nine o’clock, he found Vera Lebedeff and the maid on the verandah. They were both busy trying to tidy up the place after last night’s disorderly party.
On the first landing, which was as small as the necessary turn of the stairs allowed, there was a niche in the column, about half a yard wide, and in this niche the prince felt convinced that a man stood concealed. He thought he could distinguish a figure standing there. He would pass by quickly and not look. He took a step forward, but could bear the uncertainty no longer and turned his head.
Gania was much confused, and blushed for shame “Do forgive me, prince!” he cried, suddenly changing his abusive tone for one of great courtesy. “For Heaven’s sake, forgive me! You see what a miserable plight I am in, but you hardly know anything of the facts of the case as yet. If you did, I am sure you would forgive me, at least partially. Of course it was inexcusable of me, I know, but--”
| “I don’t understand why people in my position do not oftener indulge in such ideas--if only for a joke! Perhaps they do! Who knows! There are plenty of merry souls among us! |
If only he could find an opportunity of coming close up to Nastasia Philipovna and saying to her: “Don’t ruin yourself by marrying this man. He does not love you, he only loves your money. He told me so himself, and so did Aglaya Ivanovna, and I have come on purpose to warn you”--but even that did not seem quite a legitimate or practicable thing to do. Then, again, there was another delicate question, to which he could not find an answer; dared not, in fact, think of it; but at the very idea of which he trembled and blushed. However, in spite of all his fears and heart-quakings he went in, and asked for Nastasia Philipovna.
“The children of the nineteenth century, and their parents--” began the general, again.
He evidently had sudden fits of returning animation, when he awoke from his semi-delirium; then, recovering full self-possession for a few moments, he would speak, in disconnected phrases which had perhaps haunted him for a long while on his bed of suffering, during weary, sleepless nights.
“Why? You very nearly were, anyhow.”
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“All the while I was in their house I felt sure that somewhere beneath the floor there was hidden away some dreadful corpse, wrapped in oil-cloth, perhaps buried there by his father, who knows? Just as in the Moscow case. I could have shown you the very spot!
“Prince, you are not only simple, but your simplicity is almost past the limit,” said Lebedeff’s nephew, with a sarcastic smile.
“Practised hand--eh?”
“Why, prince, you’ve only gone a few steps along this road, I perceive. You are evidently a mere beginner. Wait a bit! Before long, you’ll have your own detectives, you’ll watch day and night, and you’ll know every little thing that goes on there--that is, if--”
| “‘Dead Souls,’ yes, of course, dead. When I die, Colia, you must engrave on my tomb: |
“No, it’s not a thing for women.”
“Yes, it is serious for a poor man who lives by his toil.”
He gulped down some water out of a glass standing near, bent over the table, in order to hide his face from the audience, and recommenced.
“Well, this matter is important. We are not children--we must look into it thoroughly. Now then, kindly tell me--what does your fortune consist of?”
Muishkin stopped short.
| “Wasn’t it you,” he said, suddenly turning to the old gentleman, “who saved the student Porkunoff and a clerk called Shoabrin from being sent to Siberia, two or three months since?” |
“One might dispute your right to ask such questions,” observed Lebedeff’s nephew.
| The prince was a whole hour soothing and comforting her, and left her, at length, pacified and composed. He sent another messenger during the night to inquire after her, and two more next morning. The last brought back a message that Nastasia was surrounded by a whole army of dressmakers and maids, and was as happy and as busy as such a beauty should be on her wedding morning, and that there was not a vestige of yesterday’s agitation remaining. The message concluded with the news that at the moment of the bearer’s departure there was a great confabulation in progress as to which diamonds were to be worn, and how. |
The general shrugged his shoulders.
“Oh, dear, no! Why, they don’t even know him! Anyone can come in, you know. Why do you look so amazed? I often meet him; I’ve seen him at least four times, here at Pavlofsk, within the last week.”
“Wait five minutes more, Mr. Burdovsky,” said Gavrila Ardalionovitch pleasantly. “I have more to say. Some rather curious and important facts have come to light, and it is absolutely necessary, in my opinion, that you should hear them. You will not regret, I fancy, to have the whole matter thoroughly cleared up.”
| When they reached the Gorohovaya, and came near the house, the prince’s legs were trembling so that he could hardly walk. It was about ten o’clock. The old lady’s windows were open, as before; Rogojin’s were all shut, and in the darkness the white blinds showed whiter than ever. Rogojin and the prince each approached the house on his respective side of the road; Rogojin, who was on the near side, beckoned the prince across. He went over to the doorway. |
“That picture! That picture!” cried Muishkin, struck by a sudden idea. “Why, a man’s faith might be ruined by looking at that picture!”
“It’s all the same; you ought to have run after Aglaya though the other was fainting.”
Rogojin listened to the end, and then burst out laughing:
“You told her it was a shame for her to behave so, and her manner changed at once; she was like another person. You have some influence over her, prince,” added Varia, smiling a little.